Aerial & Highline Shows for Events

Yes, when it's rigged by people who know what they're doing. Everything in a highline is doubled: the main line has a backup line running along it, and every anchor is built so that no single piece of gear can fail on its own. All equipment is climbing-rated and used far below its breaking strength.

Each line is checked before anyone steps on it, and the walker is attached to the line from start to finish. On a highline, falling is normal and planned for. Hitting the ground is not.

Always. We wear a climbing harness connected to a leash: a short, strong rope that ends in a metal ring sliding along the line as we walk.

If we fall, we drop just below the line and the leash catches us. We climb back up onto the line and carry on. Falling is part of highlining, and we practise it as much as walking.

Most of our lines are 15 m high or more, and in the mountains they go as high as the cliffs do. Around 8 m is the minimum: for every line we calculate how far the webbing stretches and how far the walker drops in a fall, so that no one ever gets close to the ground. The highest highline so far was walked between two hot-air balloons, more than 4,000 m up.

Lines go from a few dozen metres to several kilometres. The world record is 2,710 m, walked in 2022 in Mont-Dore, in the middle of France.

A few hours are enough to learn to cross a 10 m slackline close to the ground. But that's only the beginning. Every line is different, its length, its tension, the wind, the height, so you never really finish learning.

After a while, the skill is less about staying balanced and more about learning how to learn: accepting falls, starting again, playing with the line and not taking yourself too seriously. That's the spirit we bring to our shows and workshops.

Neither: it's webbing, a flat strap of woven fabric about 2.5 cm wide. The material depends on the line.

Nylon stretches the most, so it's lively and playful. Polyester is the versatile all-rounder. Dyneema barely stretches and is very light, which makes it perfect for very long lines and mountain projects where every gram is carried up on foot.

Two solid anchor points and enough height. Anchors can be buildings, towers, trees, rock, cranes or structures we install ourselves, indoors or outdoors.

Send us photos of your site: we check the anchors, the height and the space underneath, and we tell you what's possible. Be creative: some of the best lines are in the most unexpected places.

Setup depends on the site. A line between solid existing anchors goes up much faster than one where the anchors have to be built. We give you a precise timing once we've seen the site.

A show lasts from 5 to 40 minutes, from a short appearance to a full show with a story, depending on your event and its programme. We offer several different shows.

We do. Our team rigs, inspects and takes down every line, and we manage the safety area underneath it. We have years of experience rigging in the mountains and in cities.

From your side, we just need access to the site and a clear area below the line. We tell you exactly what's needed before the day.

Yes. We're based in the French Alps and perform across France, Europe and worldwide.

Every show is quoted individually. The price depends on the show, the site, the rigging needed, travel and the size of the team. Tell us about your event and we'll send you a tailored proposal.

Of course. Music, costumes, a story, your colours, or a night show with LED costumes and lines lit to match your event. We're always open to new ideas, and we love a challenge.

In our slackline workshops, children can walk on their own from 7 years old. Younger ones can have a go as soon as they can walk, with an adult holding their hand. The line is set close to the ground.

No need to be sporty: balance is learnt by trying, at any age. That's also why slackline works so well for team building.